Chapter 20, a summary: Sebastian Barry’s ‘A Long, Long Way’

Willie visits Captain Pasley’s parents’ farm at Tinehely. He feels hollowed out by the prior day’s events and as he walks through Dublin he notices first the repair of the war-damaged city and then, as he walks down Marlborough Street, a group of children throw stones at him. They believe he is a British soldier and taunt him to go home. He tells them that he is home.

At Tinehely he encounters a Protestant vicar as he climbs the hill to the Pasley’s. The vicar’s kind words to Willie almost make him weep.

When Willie reaches the Pasley house he is full of misgivings about visiting. He wonders at the reasons for coming. When he knocks on the cottage door he is greeted by a kind and welcoming woman who, it transpires, is Captain Pasley’s mother. He talks awkwardly, stiltedly, of his admiration for her dead son. Mrs Pasley observes that Willie misses him; this profoundly affects Willie, and Pasley’s memory becomes intertwined with his memories of all the dead comrades he has known. Willie curses his foolishness in visiting and being unable to say how he feels. Nonetheless, Mrs Pasley tells Willie what a comfort his visit is. At the return of Mr Pasley, the group has tea together, and later Willie is walked by Mr Pasley to the railway station. Mr Pasley shows Willie Captain Pasley’s gravestone, which expresses pride in his son’s sacrifice for ideals of King and Empire. Willie comforts the grieving man.

Making a connection in Dublin to return to the front, Willie is surprised by Dollie at the railway station. Annie and Maud have brought her to say goodbye, and hang back behind the barrier instead of speaking to Willie, but he is delighted to bid farewell to his youngest sister.

Chapter 19, a summary: Sebastian Barry’s ‘A Long, Long Way’

Willie returns from the front to Dublin Castle and is so changed that at first he is not recognised. He is greeted happily by Dolly and Maud, but Annie speaks to him sharply about soldiers who supply rebels with guns: she can barely hide her anger. James Dunne returns home. Willie does not expect the belligerence and cold fury that he is met with by his father. The policeman speaks angrily of the death of one of his recruits at the hands of the rebels, his anger at his son’s letter and speaks of his own responsibility and authority. Willie is conciliatory but his father launches a bitter diatribe about his son’s treacherous betrayal of all he stands for. Willie leaves the apartments and goes out into the night.

He makes his way to Gretta’s home in the slums. The thought of Gretta sustains him in his misery and he decides to ask her to marry him. When he reaches Gretta’s room, however, he finds her nursing a baby. Gretta tells Willie the child is her own: she has married. She tells him that she wrote a letter to him which had had no reply— a letter prompted by the earlier letter she had received from one of Willie’s friends. Willie feels dread as she explains that she knows about his encounter with the prostitute in Amiens. He reads the letter anonymously sent to Gretta, then makes a sad confession and apology to her. Gretta cries. The two manage a kind of heartfelt understanding before Willie leaves: Willie admits to the truth of Gretta’s father’s criticism, that he did not know his own mind.

Willie leaves in misery, and spends the night in a dosshouse.

Chapter 18, a summary: Sebastian Barry’s ‘A Long, Long Way’

News of the death of Willie Redmond, Irish MP and the brother of John Redmond (the Irish Parliamentary Party leader) shocks the men on the front. It affects Willie, but devastates Father Buckley. Willie offers his condolences to Buckley at the latrines. Buckley takes some consolation in the recent bonhomie between soldiers from Northern and Southern Ireland after the Battle of Messines, calling it “Willie Redmond’s moment”.

After short lived fame as victors at Messines, Willie’s regiment find themselves transferred to Ypres. The persistent rain has flooded the area and the mood of the men becomes depressed again. Ypres is thick with mud and under constant bombardment. The bodies of the dead of previous battles at Ypres are uncovered by the deluge. Willie is affected by the bleakness of the new situation.

As they march across northern Flanders, Willie, Joe Kielty and Timmy Weekes console themselves with humorously seditious talk of the war, its violence and its apparent purposelessness. When they finally reach their positions on the front line they find the trenches completely degraded and have to rebuild them under fire. The trench walls encase maimed bodies and the men work without food for two days. Father Buckley works at night to find the remnants of the dead, to bury them. 

On the third day the 16th leave their trenches and attack slowly over a mile of deep mud. Willie’s platoon are in the first wave. Their attack is easily stymied by machine gun fire and there are many further casualties as the German army counter-attacks. Willie is distressed to see Father Buckley digging a grave for a soldier in the face of the attack. A second supporting wave of British soldiers finally relieve Willie’s platoon, and they return to the support line.

The day after the battle news comes of the vast number of dead in the attack, of a stray mustard bomb hitting a regimental HQ- and the death of Father Buckley. Willie is upset, and accounts of the priest dying at an aid post confuse Willie.

Major Stokes visits the forward line to inspect the trenches in a strange humour. He approaches Willie Dunne and quietly asks of Willie, ‘no hard feelings, Private?’ Willie makes clear he has no feelings of resentment or anger, and Stokes, reassured perhaps, moves up the line.

The 16th remain in the line for fifteen gruelling and dangerous days in the rain and mud. Neither supplies nor planned relief reaches them. Christy Moran surprises Willie with leave to go on furlough on the recommendation of Father Buckley. As Willie leaves for Dublin, Moran tucks his medal into Willie’s great coat as a keepsake.

Chapter 17, a summary: Sebastian Barry’s ‘A Long, Long Way’

It is June of 1917. The I6th find themselves about to make an eastward attack on Wytschaete, a village on the Messines Ridge, held by the German army. An artillery barrage has been ongoing for three weeks, and the preparations for the coming Battle of Messines have been thorough. The men recognise this state of preparation as unusual during the war: Christy Moran puts it down to the new General in charge of the operation.

Before the battle, amidst the terrifying noise of the guns, Moran confesses to his comrades why he joined the army. Falling asleep whilst smoking in bed, his wife’s hand is badly burnt so that she cannot work as a seamstress. Moran joined the army in order to support her. This is a difficult confession for the bluff but sensitive Moran, and he dreads that the men will laugh at him, but they are respectful and tell him that they are sorry for his wife’s suffering. This is a moment of intense emotion for the sergeant major, who is distracted as he waits for the order to attack.

Three mines are simultaneously set off under the German positions, and the explosion is massive and astonishing. The attack begins and Willie and his platoon go over the top in the leading wave. As they march up towards the ridge, they receive no enemy fire because of the creeping barrage that covers them. When the barrage stops, machine guns begin to fire on the men. Christy Moran captures a pill-box, killing two men in the process. Members of the Irish and Ulster regiments greet each other as they push on, unmolested by German fire. Second lieutenant Biggs orders Willie and to stay whilst he fetches Moran back: he is killed by a flare, but eventually Moran retires to the Willie’s position himself. He tells of the celebrations of the united regiments ahead. All the soldiers are amazed by the success of this complete victory.

After winning a medal for valour, Moran is amongst those honoured by a visit of King George himself to the line. Despite Moran’s nationalist passion, he is pleased by the monarch’s visit and tells Willie that he spoke to the King.

The 16th is then moved again, this time back to Ypres. The regiment falls under a new general, ‘Gough the Mutineer’, a British officer who was known for his antipathy to Home Rule. Moran humorously voices his sense of foreboding at the prospect.  

Chapter 16, a summary: Sebastian Barry’s ‘A Long, Long Way’

The 16th find themselves back in the line in a quiet sector. It is the frozen winter of 1917, and the front is frigid with snow. The composition of the regiment is changing; fewer Irishmen are volunteering now, and the regiment sees an influx of English volunteers. Willie finds that the new men are much alike his Irish fellows.

The platoon has a new leader, second lieutenant Biggs, who proves an efficient leader. Willie meets a young Londoner named Timmy Weekes, who introduces himself with a funny joke about his surname. A Hampstead boy, Weekes is well read, and introduces the other men to Fyodor Dostoevsky and Walt Whitman. Willie, like the other men particularly enjoys Dostoevesky’s ‘The Idiot’. For Willie, however, the murderous destruction of the war weighs ever heavier upon him, and the winter is prolonged and awful.

Eventually spring arrives and the men are moved once more in preparation for a new attack. Willie receives more letters from home, but still awaits a letter from Gretta. Before decamping, Father Buckley takes confession from Willie about his visit to the prostitute in Amiens. Willie then confesses his troubles with his father and talks of witnessing the shooting of the young Rebel soldier on the streets of Dublin. Buckley is a Redmondite, and explains his belief that the war is ultimately a fight for Ireland and Home Rule. Willie is doubtful and upset by his variance with his father on the matter. He receives his penance, and with a word of good luck for the following day’s attack, is dismissed.    

Chapter 14, a summary: Sebastian Barry’s ‘A Long, Long Way’

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Willie’s company return to the front line. The war is in its darkest months yet. With great loss of life, sections of the regiment have gained ground at Guillemont. Captain Sheridan tells the men they are press on to Guinchy. Once again, the men gather before Father Buckley for mass, but this time they do so in a field fought over just days before, still strewn with the unburied dead. As Buckley speaks, Willie thinks upon the nature of words, finding them a kind of natural music, and rallies.

The company make their way up to the line through smashed fragments of humanity. The shelling is intense. Ever more anguished, Willie recognises the corpse of Quigley amongst the hundreds of bodies as he passes. He sets about cutting barbed wire with his fellows, preliminary to pushing forward. The men, seeking distraction, argue good-naturedly about the type of crop they work amongst. The talk cheers them.

Moving up to the captured German lines, the company eventually come to a battlefield, the scene of vicious fighting. Dead German and Irishmen are everywhere. The sight of dismembered corpses is terrifying, and the smell of death lingers. Men retch as they walk. When the men reach Guillamont they find Chinese workers building a makeshift road. In the midst of terrible shelling, the diggers are struck by shellfire as they work. Willie and his company finally stop at the foremost trench line. There they eat stew and sleep before the planned attack on Guinchy.

The men are ready to attack at four in the morning, awaiting the movement of a creeping barrage intended to supress German fire as the men march across no-man’s land. Pitying the new recruits, Willie hears with terror the British shelling commence: he wets himself as the barrage begins. The men are given their orders, and climb the trench ladders. They march across no man’s land. The barbed wire is scattered and at first the men walk unimpeded towards the German line. Soon however the British artillery barrage overreaches them, allowing German machine guns to commence firing. The Irish advance is cut to pieces. Captain Sheridan is immediately hit. The company marches on through the murderous gunfire. The Irish soldiers reach the enemy trenches and engage once more in hand to hand fighting with German soldiers, who swiftly surrender.

Willie and the company spend the rest of the day in a cold panic, awaiting a counter attack. Finally they are relieved by others in the 16th and begin the march back to British lines. Reaching the safety of occupied ground, they find the body of Captain Sheridan as it is being transported back to the line. They follow its progress to Guillemont. As they go, they are cheered by fellow soldiers who have learnt of the capture of Guinchy. Willie and his comrades feel traumatised and empty, however- knowing as they do the hideous carnage they have left behind them.

Chapter 13, a summary: Sebastian Barry’s ‘A Long, Long Way’

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Kirwan is executed for cowardice the next month. Major Stokes declares the sentence, and the Irishman is shot at dawn. Willie helps dig Kirwan’s grave, and attends his funeral, where Buckley tells Willie of Kirwan’s family past. Kirwan’s mother, Willie is told, left her millenarian sect to be with his father, and in doing so was forever expelled from the fold. Their union together, Buckley tells, gave them Jesse Kirwan. Willie is upset to be told this, and remembers the tale until his own life ends. That night, Willie sneaks out of billets, and sings ‘Ave Maria’ over Kirwan’s grave.

Willie tells O’Hara this sad story, and O’Hara responds with his own confessional. He tells of moving through a Belgian village at the start of the war and discovering a maimed and raped Belgian woman tied down in a church. The men release her and lead her away to be treated but come under fire from a wood and take cover in a ditch. A young lieutenant strikes her as they seek cover, and then proceeds to rape her in the same ditch. O’Hara confesses that he held her down while the rape happened. Willie is revolted and strikes O’Hara, who is surprised by Willie’s reaction. O’Hara remonstrates with Willie about the brutality of the war, but Willie is horrified and goes to bed, desperately questioning the nature of man.

Chapter 12, a summary: Sebastian Barry’s ‘A Long, Long Way’

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It is late spring in Flanders in 1916, and Willie’s company are performing fatigues while behind the lines. News continues to filter through of more executions back in Ireland. The men realise that some sort of big push is imminent. The French bloodshed at Verdun continues unabated.

Jessie Kirwan awaits court martial for disobeying orders, and is refusing food. This is relayed to Willie by Father Buckley, who has been ministering to the Corkman. When asked for a character reference, Kirwan gives Buckley Willie’s name, and Buckley asks Willie to visit the prisoner. At first Willie means to refuse, his compassion worn away by time and events. Yet Buckley’s fond request and a curiosity about Kirwan leads to Willie agreeing to see the man in spite of himself.

The Battle of the Somme begins. News of the massacre of the 36th Ulster Division reaches the men, who are awed and horrified. Willie goes to see Kirwan where he is held, in a working abbatoir, on the 3rd of July. A bullock is being slaughtered as Willie arrives: Kirwan is being held in a toilet adjacent to the killing floor. While Buckley goes to see his charge, Willie talks to the Irish corporal guarding the room. Kirwan is a nice enough man, the corporal declares, but became deeply upset after the execution of the rebel leaders. He is not sympathetic to Kirwan’s politics, but does note with some concern that Major Stokes’ hostility to the Irish means that at court martial Kirwan’s life stands in the balance.

Willie goes in to see Kirwan. He is emaciated and withdrawn, but greets Willie from his bed. He announces his intention to be shot. He does not intend open protest, but refuses as an Irishman to fight in the British Army. He has chosen Willie as the single witness to his intentions. Willie tries to talk him out of his intention, but Kirwan is firm. Willie then gives Kirwan his Bible. Kirwan protests that he has one: Willie reminds him of their first meeting, and notes that his own isn’t stained with urine. After leaving Kirwan in his cell, Willie walks out with Father Buckley, privately ruing his friend’s seemingly suicidal ethical course.

Chapter 11, a summary: Sebastian Barry’s ‘A Long, Long Way’

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Willie writes home to his father, expressing his relief that Dublin is returning to normal, and his love for the men of his battalion. News of the events at home stir the beginnings of debate among the Irishmen. While general opinion is still hostile to the rebels, the news that the leaders of the rebellion are to be shot causes some disquiet. O’Hara does not like the gleeful tone of one of the newspaper reports, despite himself voicing some indignation that, as soldiers in the British army, they are thought as enemies of Irish freedom. Keilty and Willie also express regret that the men are to be shot: and in a further letter Willie tells his father this. He also writes a postcard to Gretta, for whom he once again struggles to adequately express his love and affection.

Willie and the rest of his company are billeted in a suit-making factory. Suit outlines for manufacture hang eerily from the ceilings in the main production room. As Willie sleeps with his company in the anteroom adjacent, he dreams of the man he killed. Across no man’s land, the dead German captures a pigeon, and Willie is excited by the thought that the man will now kill and eat the bird. To his surprise, the man releases the pigeon, which flies up into the sky. Willie then awakes.

Chapter 10, a summary: Sebastian Barry’s ‘A Long, Long Way’

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The men are now behind the lines. In a glass house laid out with enamel baths, the men communally bathe and enjoy the luxury of hot water. They joke together and ease into the silent pleasure of company. Willie, however, remains troubled by thoughts of death.

Later, the Irishmen retire to an impromptu theatre and a singing party begins. Members of the battalion volunteer to sing for the others. The sings stir profound feelings and memories from the gathered men. Willie’s friend O’Hara, an amateur musician, plays ‘Roses of Picardy’, a sentimental music hall number, and the performance brings many to tears. Willie then is encouraged to step up, and he sings the song he once sang in competition, ‘Ave Maria’. Willie’s marvellous singing and the Catholic mystery of the song enraptures the crowd. Willie remembers a long-supressed memory of singing the hymn over his dead mother’s body as she lay at home after his sister Dolly’s birth. He sings for her and for the audience of Irishmen before him- themselves so close to death.